Gothika (2003)


Dave’s 3-Word Review:
Halle Berry’s crazy.

Imagine you wake up in a psychiatric ward with a ton of people telling you that your whole life is a sham…but you know it’s not…but who really is going to listen to you? You’re in a psych ward, for heaven’s sake! You know this sub-genre very well – it’s used a lot in television for psychological thrilling episodes…and as typical as it has come to be, I love it. It’s always a fun time, and there seems to always be a great mystery involved. Gothika is a film that takes this general idea to the film level…and again…it does a pretty decent job at it.

Halle Berry is our leading lady this time, playing a chick named Miranda Grey – a doctor at a psychiatric hospital that more or less specializes in explaining why people are absolutely nuts. She’s logical and rational, but after a strange incident on a bridge, she wakes up in her own hospital with everyone telling her that she’s crazy when she knows she’s not. Just as much as every crazy person knows they aren’t crazy either…so she isn’t in the best place. In order to claim her sanity she must figure out what actually happened – and in order to find that out…she must escape.

In some ways, this is a pretty typical movie. I’m not arguing with that, it seems that way, but it is still pretty fun. I’ll admit that I wish the whole explanation of the film was something a little more creative, but I accepted what I got as ‘good enough’. Halle Berry plays a convincing crazy lady – especially with how they portrayed the line between sane and crazy…and how peoples judgments of others actions can sometimes be mistaken. Imagine if you were in the same precarious situation claiming sanity in the middle of a loony bin. People wouldn’t jump to your defense, now would they? Sure, the whole concept behind the film is a bit far-fetched in the scheme of things, but it’s honest enough to make you think.

If I wrote the film, there were a lot of different directions that I probably would have gone. Movies like this don’t seem to realize how much direction you can actually take. It’s a psychological thriller…meant to mess with your head. Your head is a powerful tool capable of coming up with crazy situations – which I wish this film sort of delved a little closer to. It’s a loony bin where people are drugged up to no end…let’s seriously get nuts up in this joint. No? Oh, okay.

What RT has to say: Berry’s acting talents can’t save Gothika from its preposterous plot and bad dialogue. – was the plot preposterous? In a way, yeah…but what are you expecting going in? You already know she is randomly thrown into a loony bin and why, and you figure there is some kind of element of paranormal activity going on by the trailers alone – why are you complaining about plot? As for the dialogue? I can’t disagree more. They did a great job mirroring the “dialogue” and thoughts of crazy people as the same dialogue for a sane person…which they kind of had to do to suggest that not all crazy people are indeed crazy after all.

The Good:

I’ve always liked psychological thrillers. They make you think, which this film definitely does. I liked it more along the lines on how it provided commentary on what truly makes a man “crazy” – and how that may not apply as universally as we originally thought. Maybe people sound crazy but are in actuality being truthful.

The Bad:

You’ve seen this type of idea done, sometimes better, in episodes of television. The time constraints of a typical hour-long tv show seem to fit the concept a little better than a full-length film – which they didn’t completely take advantage of their creative prowess with.

Love Actually (2003)


Dave’s 3-Word Review:
Fun, but meh.

So. Movies with ensemble casts. They have their positives and negatives, of course, but I have a huge dislike towards the way they choose to direct everything. You have an amazing assortment of well-known actors, but who cares? It’s nice to see them, but have you even seen Movie 43? Cast means nothing. In fact…the more people you have in a cast means the higher obligation to split the focus onto everyone…which lessens the plot to basically nothing. Love Actually is more or less praised as a romantic comedy. I’ve heard it more than once…it’s a good movie, but I feared watching it because it’s clearly an ensemble flick. Did it surprise me…yes. But at the same time, no.

I wish I could sit here and tell you about the amazing plot, but let’s get down to brass tax. It’s about love. Different kinds of love. Different kinds of people and their journey to find and lock in that love, whatever it may be. Romantic love, familial love, friendly love, forbidden love. It’s all there, and it more or less operates as an anthology flick that is sort of woven together to create one full story.

I won’t lie, the messages here are downright brilliant. Love in film is rarely looked at in such an honest light. It’s beautiful sometimes, but sometimes it is a horrible, awful thing. It may be over-the-top and predictable at moments, but you’ll notice that it isn’t the things that happen in the film, but how they are presented by the characters that matter. There’s no scootching around this one, it’s a character film. There were a lot of different characters, and they were all very, very different in their own regards. Each actor (I won’t go through the list) did a surprisingly good job in their role. It’s hard to create universally phenomenal chemistry between a large cast like this, but they did it very well.

However, and this is a big however, movies like this have one unstoppable flaw. That is…focus. These people are huge in Hollywood, so each of them basically need equal focus, so the whole film feels like eight short films struggling to be interwoven in the end. They are connected sure, but it’s not like it really makes any difference. Love brings people together yeah, and there is the whole six degrees of separation rule, but in the end  I don’t think for a second that it feels like a movie. It feels like an anthology. A collection. A montage. I had fun with it, though. I think this is one of the strongest films like it, but it’s definitely not my thing.

The Good:

I hate movies like this. I’ll be honest. The same applies to how they decided to split the focus up in Love Actually. However, that being said…I think the performances were worthwhile and surprisingly diverse. Their chemistry with one another is truly what makes this film special. I also believe that the films overall look at love is something that should be seen.

The Bad:

…I mean… It’s an ensemble movie. There is no real plot. It’s also a romantic comedy, so it’s incredibly predictable as well. Personally, it’s not my cup of tea, but I think they did a well-enough job with it.

The Random:

Is it just me, or was their vision of America really ignorant? Billy Bob sporting his usual douchey attitude as President of the United States, and the first girls a foreigner runs into in America are skanky tramps that want a foursome…

Dumb and Dumberer: When Harry Met Lloyd (2003)


Dave’s 3-Word Review:
Butchering a Classic.

This film was selected from ‘The 250’

When I picked movies for ‘The 250’, my concern wasn’t for finding good movies, but rather movies a lot of people have heard of that I haven’t yet reviewed. It could be good, bad, famous, or infamous. There’s actually a number of movies on there that I don’t want to review, but feel it’s important to get my voice out there as perhaps…a warning. Back in 2003, the prequel to Jim Carrey’s classic hit, Dumb & Dumber, was released. I can personally remember how much I was looking forward to it. I couldn’t express how disappointed I was when I first saw it, but now… I can.

To increase the funding for their high school, Principle Collins (Eugene Levy) and his secret girlfriend, Ms. Heller must create a special needs class – and to do that, they enlist the help of idiot friends Harry Dunn and Lloyd Christmas – who gather other weird students for the fradulent class. Together, they experience the hijinks of life while thinking there’s hidden treasure somewhere in the school, all the while fighting over the prettiest girl in school.

I’ll first start off by explaining why I was interested in this movie before I saw it. First and foremost, it is another edition to one of my favorite comedies of all time. I always knew that the Farrelly brothers had no part in this film, but I didn’t really care, because it was all about the characters. The posters and promotion done for this film were actually pretty good. They use the right shots from the right scenes that made these two really seem like Lloyd and Harry. I remember distinctively a poster that made Eric Christian Olsen look identical to Jim Carrey. Needless to say…I couldn’t wait.

One of the Farrelly actually said something very smart in regards to a prequel to the franchise. When asked to make one, he immediately said not a chance, because the magic of Dumb and Dumber wasn’t only the characters, but the very fact that they were in their 40’s and still acting stupid. That every sixteen year old is already stupid, so you just don’t get that dynamic. This was before the movie ever came out, and he was right on target. 16 year olds are stupid, so they had to do the next best thing, which was make everyone in the movie stupid, including the adults. Well that’s just great, because now the movie stops being special, doesn’t it? Harry and Lloyd are just random students in a world full of stupid people. They are really watered down when in all actuality – they should be the sole focus of the film while everyone else is normal. Their very interaction with each other and the world around them is supposed to be what the movie is. That’s what these people didn’t get.

Not only that, but Dumb & Dumber is an adventure movie with a clear end goal. They are trying to get to this point to deliver this package. This prequel had no sense of adventure, or heck, even a plot. The most it had was about the Principle and his girlfriend trying to get extra money for the school, and even that is reaching. I can’t say it enough, the people making this film failed on almost every angle.

I did understand what they were going for, though. While they didn’t focus very much on storytelling, they did try very hard to get those Harry and Lloyd characters right. Same goes for how hard the actors tried to get it right as well. Like I said, their look…isn’t bad, and there’s honestly some fleeting moments where you think – yeah, these are definitely the same guys I remember way back when. At the same time, the rest of the movie just tries too hard. You’ll notice when it tries to copycat the same scenes and lines of the original movie. It’s like it knew it would be horrible, so it had to grasp at straws to convince you that these really are the characters you know and love. Sorry. That doesn’t fly with me, instead it’s really cheap. Even so, there are scenes with the guys that don’t add up at all – especially with the fantasy scene.

The Good:

Hey, I gotta give them a D for effort as far as trying to get the spirit of the characters back in the game. You would probably agree that they did an okay job casting actors that actually look and sound a bit like Jim Carrey and Jeff Daniels. Some of their interactions may also trigger some nostalgia.

The Bad:

The entire movie just butchers everything that was good about the classic. Heck, I have this theory that the whole reason they are making Dumb and Dumber To is to erase this movie from existence; to not have the franchise end on that massacre. Don’t watch this.